![]() ![]() On Marauder, there’s a new kind of emptiness, of hearing an Interpol album that doesn’t really seem concerned with doing better than “good enough. Interpol were once able to transmute urban ennui into something so transcendent, even the most sheltered and secure suburban kids understood. Marauder is the least-bad Interpol album in more than a decade, but that still doesn’t make it great. That said, it’s certainly more appealing than their previous records, which were defined by their various forms of malaise. Inaccuracies and noticeable design errors are among the signs of a fake email. ![]() ![]() To this ends they are trying to imitate other companies’ corporate styles using some of their elements such as color schemes and logos. Marauder was recorded to 2-inch magnetic tape without ProTools in the interest of recapturing some of the intuitive electricity of Bright Lights, but the actual mix is so compressed, doughy, and airless, it might as well come packaged inside a Grands! biscuit tin. Scammers are doing their best to make the email look very similar to the original. The band is stuck in a Medium Mood, and most of the blame on Maurader lies with Fridmann’s mix my burned CD copy of 128 kbps Turn on the Bright Lights mp3s had less digital clipping. For the past 15 years, Interpol have tried to either replicate this vibe or find another to replace it. ![]()
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